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	<title>Poulet-Malassis Films</title>
	<link>https://pouletmalassis.com</link>
	<description>Poulet-Malassis Films</description>
	<pubDate>Tue, 10 Jan 2023 07:53:42 +0000</pubDate>
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		<title>When - TEXT</title>
				
		<link>https://pouletmalassis.com/When-TEXT</link>

		<pubDate>Mon, 30 May 2022 13:31:31 +0000</pubDate>

		<dc:creator>Poulet-Malassis Films</dc:creator>

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		<description>When There Is No More Music to Write, and Other Roman Stories59 min,&#38;nbsp;2022
︎︎︎ PRESS KIT • TEASER







































Underneath the lengthy title of Éric Baudelaire’s new film, three films are hiding, separated by three credit rolls and three titles (Four Flat Tires, The Lost Score, and&#38;nbsp;When There Is No More Music to Write). They evoke the figure of avant-garde composer Alvin Curran in his relationship to Rome, where he settled in the mid-1960s, and the music he created there, mainly within the famous Musica Elettronica Viva collective. But as the sub-title of the last of these films indicates “of about Alvin Curran”, the project is no less a portrait than a collaboration: Baudelaire’s collaboration with the composer, whom he never films in person, but whose thoughts and sounds he borrows; with his long-time editor, Claire Atherton; and with Maxime Guitton, a researcher involved in the project right from the start and who unearths priceless material. But Baudelaire also draws on Alvin Curran’s collaborations with his own companions, such as the underground filmmaker Annabella Miscuglio, of whom Baudelaire includes several films; with his city and his times, marked by the kidnapping of Aldo Moro and the revolutionary struggle. For it was in reaction to the discourses on the end of history and to the Years of Lead that Alvin Curran justified a musical art free from scored music and focussed on collaborative and performative processes. And to oppose political deadlocks and the death of cinema, Éric Baudelaire, in league with the oeuvre he documents, plays down the figure of the author and the pretension to an art as a single unit. Three times over the film ends and restarts, with the certainty that by replaying the end, everything can begin again • Antoine Thirion, Cinéma du Réel catalogue




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		<title>When - MEDIA</title>
				
		<link>https://pouletmalassis.com/When-MEDIA</link>

		<pubDate>Wed, 14 Dec 2022 07:50:02 +0000</pubDate>

		<dc:creator>Poulet-Malassis Films</dc:creator>

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		<title>When - CREDIT</title>
				
		<link>https://pouletmalassis.com/When-CREDIT</link>

		<pubDate>Mon, 30 May 2022 15:11:22 +0000</pubDate>

		<dc:creator>Poulet-Malassis Films</dc:creator>

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		<description>A film by 
	Éric Baudelaire

	Based on research by 
	Maxime Guitton

Music 
	Alvin CurranMusica Elettronica VivaImage 
	Éric Baudelaire and archives&#38;nbsp;Editing 
	Claire AthertonGraphic Design 
	Pierre-François LetuéMix 
	Éric Lesachet
	Production
	Poulet-Malassis Films・Éric Baudelaire

	With support from 
	The John Simon Guggenheim Memorial Foundation
La Fondation des ArtistesVilla MédicisCrac Occitanie
Bergen KunsthallSpike Island
	DCP


4:3Super 8 and found footage
Stereo soundItalian and English with English/Italian subtitles&#38;nbsp;
DISTRIBUTION


LUX (UK)
	FESTIVALS
	



















Cinéma du Réel

CPH:DOX

Art of The Real・Lincoln Center

Viennale

DocumentaMadrid

Curtas Vila do Conde

DocLisboa

Villa Medici Film Festival

DMZ Docs

DOK Leipzig

Viennale

Filmmaker Festival Milano







REVIEWS 
	On Screen, The Wire, June 2022
	Conversation Pieces, Colin Perry, Art Monthly, May 2022
	When
There Is No More Music To Write, M. G. Mailloux, In Review, April 2022


	Cinéma du Réel. Entretien, Clarisse Pillard, Mediapart, March 2022MORE RESOURCES
	

	



	When There is no More Music to Write, Spike Island (Bristol), 2022


	
	Faire Avec, CRAC Occitanie (Sète), 2020

	The
Birth of a New Ritual, Robert Barry, VAN Magazine, June 2022</description>
		
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		<title>Flower - TEXT</title>
				
		<link>https://pouletmalassis.com/Flower-TEXT</link>

		<pubDate>Mon, 30 May 2022 13:31:33 +0000</pubDate>

		<dc:creator>Poulet-Malassis Films</dc:creator>

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		<description>A Flower in the Mouth1 h 07, 2021
︎︎︎ PRESS KIT • TEASER
A diptych film about time running out and how to live through the days that remain. The first act, filmed as an observational documentary in the world’s largest flower market, follows millions of bouquets transiting through a cavernous refrigerated hangar to be sold at auction, an industrial process at once beautiful and terrifying. The film transitions to fiction in a second act freely adapted from a Pirandello play. A man with a flower-shaped tumour on his lip accosts a traveller in an all-night café. Their seemingly mundane conversation becomes a metaphysical monolog as the man, feeling death upon him, clings to life by scrupulously observing its activity, tracking reality in every detail, as if to fill the gap between himself and the rest of the world.</description>
		
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		<title>Flower - MEDIA</title>
				
		<link>https://pouletmalassis.com/Flower-MEDIA</link>

		<pubDate>Wed, 14 Dec 2022 07:58:43 +0000</pubDate>

		<dc:creator>Poulet-Malassis Films</dc:creator>

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		<title>Flower - CREDIT</title>
				
		<link>https://pouletmalassis.com/Flower-CREDIT</link>

		<pubDate>Mon, 30 May 2022 15:18:14 +0000</pubDate>

		<dc:creator>Poulet-Malassis Films</dc:creator>

		<guid isPermaLink="true">https://pouletmalassis.com/Flower-CREDIT</guid>

		<description>With 
	Oxmo Puccino (the man)Dali Benssalah (the client)A film by 
	Éric Baudelaire
Adapted from
	The Man with a Flower in His Mouth by Luigi Pirandello (1923)
	Screenplay 
	Anne-Louise TrividicÉric Baudelaire
Image 
	Claire Mathon

	Sound 
	Éric LesachetPhilippe Welsh
Art Direction 
	Roy Genty
	
Editing
 
	Claire Atherton

Graphic Design 
	Pierre-François Letué
	Script 
	Christelle Meaux
	Production Manager 
	Damien Grégoire

	Stage Manager 
	Mathieu Guinois

	Production
	Poulet-Malassis Films・Éric Baudelaire
Les Films du Worso・Sylvie Pialat, Benoît Quainon, Hilaire Perthuis, Solène Caron
Flaneur Films・Zsuzsanna Kiràly

	With support from 
	JEONJU Cinema Project 2021Medienboard Berlin-BrandenburgFondation Antoine de GalbertKunst Halle Sankt Gallen
Proarti
	DCP


	1:1.85
5.1 soundFrench with English subtitles

	FESTIVALS
	



















Berlinale Forum
JEONJU International Film Festival



Marienbad Film Festival

L'Alternativa Barcelona

Lo schermo dell’arte

Black Canvas FCC

Viennale 

DocLisboa

ZINEBI Festival Internacional de Bilbao



	REVIEWS
	Berlin: A Flower in the Mouth, Deragh Campbell, Cinema Scope 90, 2022 


	Éric Baudelaire’s A Flower in the Mouth, Anthony Hawley, BOMB, Jun 2022
	Infinity Mirrors: realities of fiction and fictive renderings of real, Arindam Sen, Débordements, May 2022

	
	Berlinale Review,
Matthew J. Jenner, International Cinephile Society, Feb 2022

	Forum 2022, Fabien Lemercier, Cineuropa, Feb 2022
MORE RESOURCES
	Fleurs
du Mal: Éric Baudelaire’s Death Passed My Way, Gloria Hasnay, MOUSSE, Dec  2021
	
This Flower in My Mouth, Kunst Halle Sankt Gallen, 2021


	Une Fleur à la bouche, Les Films du Worso
</description>
		
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		<title>Glove - TEXT</title>
				
		<link>https://pouletmalassis.com/Glove-TEXT</link>

		<pubDate>Mon, 30 May 2022 13:31:34 +0000</pubDate>

		<dc:creator>Poulet-Malassis Films</dc:creator>

		<guid isPermaLink="true">https://pouletmalassis.com/Glove-TEXT</guid>

		<description>The Glove8 min, 2020
︎︎︎ PRESS KIT • VIEW

A confined rubber glove escapes into the world in a time of pandemic. Its wandering through half-empty streets is set to an original musical score improvised by Alvin Curran.</description>
		
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		<title>Glove - MEDIA</title>
				
		<link>https://pouletmalassis.com/Glove-MEDIA</link>

		<pubDate>Tue, 10 Jan 2023 07:53:42 +0000</pubDate>

		<dc:creator>Poulet-Malassis Films</dc:creator>

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		<description>
	
	
&#60;img width="720" height="1280" width_o="720" height_o="1280" data-src="https://freight.cargo.site/t/original/i/da9d5d2a62f8321615543eafa45ab14c42225e1807bba81dd7e2562b24e7b682/Max-McClure_Spike-Island_Eric-Baudelaire---Alvin-Curran-103-copie.jpg" data-mid="164182222" border="0"  src="https://freight.cargo.site/w/720/i/da9d5d2a62f8321615543eafa45ab14c42225e1807bba81dd7e2562b24e7b682/Max-McClure_Spike-Island_Eric-Baudelaire---Alvin-Curran-103-copie.jpg" /&#62;

	
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		<title>Glove - CREDIT</title>
				
		<link>https://pouletmalassis.com/Glove-CREDIT</link>

		<pubDate>Mon, 30 May 2022 15:26:09 +0000</pubDate>

		<dc:creator>Poulet-Malassis Films</dc:creator>

		<guid isPermaLink="true">https://pouletmalassis.com/Glove-CREDIT</guid>

		<description>A film by
	Éric Baudelaire

	Music
	Alvin Curran
Image
	Éric BaudelaireEditing
	Claire Atherton
	Production
	Poulet-Malassis Films・Éric Baudelaire
With support from 
	Onassis Fondation
	FORMAT


	
1:1.77
HD
Stereo sound
</description>
		
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		<title>Drama - TEXT</title>
				
		<link>https://pouletmalassis.com/Drama-TEXT</link>

		<pubDate>Mon, 30 May 2022 13:31:35 +0000</pubDate>

		<dc:creator>Poulet-Malassis Films</dc:creator>

		<guid isPermaLink="true">https://pouletmalassis.com/Drama-TEXT</guid>

		<description>Un Film dramatique1 h 54, 2019
︎︎︎ PRESS KIT • TEASER


What are we doing together? A recurring question for the students of th film group at Dora Maar middle school, and for Éric Baudelaire who worked with them over their four years starting in the 6th grade. Answering this political question – one that involves representations of power, social violence and identity – led them to seek a cinematic form that does justice to the uniqueness of each student, but also to the substance of their group. What are we doing together, if it is neither documentary nor fiction? A dramatic film, perhaps, where time does its work on the students’ bodies and discourse, and where we discover the possibility for each to speak in their own name by filming for others, and to become co-authors of the film and subjects of their own lives • Philippe Mangeot, Marcel Duchamp Prize catalogue</description>
		
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